![]() ![]() He represents the literal harm that the church as an institution has historically caused vulnerable populations like the LGBTQ+ community, refugees and people of color. In Powell, those repressive attitudes manifest in the way he manipulates his faith to benefit his own agenda, and a fear of sexuality that presents as an obsession with purity. According to biographer Simon Callow, the gay Laughton believed the church was responsible for him spending most of his life in the closet. Laughton was originally drawn to make “The Night of the Hunter” because of its themes of religious hypocrisy. Mitchum’s Harry Powell is an influential monster not just because of his frightening actions and presence (though they count for a lot), but because his monstrosity flows through every part of him, including, crucially, his theology. ![]() The influence of “The Night of the Hunter” reverberates throughout cinema, from dialogue call-backs in the Coen brothers’ “ Raising Arizona” and “ The Big Lebowski,” to re-creations of Harry’s iconic “ Love” and “Hate” knuckle tattoos in Spike Lee’s “Do The Right Thing” and Taika Waititi’s “ Boy.” Even Martin Scorsese’s 1991 remake of “ Cape Fear” pays homage, decorating Robert De Niro’s Max Cady with religious tattoos that make the character into a double Mitchum reference, imbuing one of his best-known roles with the aesthetics of another one.
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